Chinese Games Like Black Myth: Wukong Are Outpacing Japan with Bigger Budgets and Bolder Ideas

In recent times, China’s gaming industry has been making waves with titles like ‘Black Myth: Wukong’ and ‘Phantom Blade Zero’. These games have caught the attention of many, including developers from Japan.

Japanese developers have observed that Chinese games often showcase innovative ideas that might not get the green light in Japan. For instance, the upcoming game ‘Arknights: Endfield’ by Shanghai-based Hypergryph has been highlighted for its impressive animation quality. Alwei from Indie-Us Games noted that the animation in Chinese games surpasses that of domestic titles, emphasizing aspects like character movement, physics, and camera work.

It’s also been pointed out that Chinese game projects tend to operate on a much larger scale than their Japanese counterparts. Illustrator and animator Shiba_29 mentioned that Chinese projects often employ ten times more resources, both in terms of budget and manpower. This significant investment results in highly polished products that stand out in the global market.

Moreover, China’s gaming industry has been embracing bold and unconventional ideas, leading to unique and engaging gameplay experiences. This willingness to take risks and push boundaries has contributed to the rising popularity and success of Chinese games on the international stage.

In summary, the combination of substantial investment, innovative concepts, and a readiness to explore uncharted territories has positioned China’s gaming industry as a formidable force, capturing the attention and admiration of developers and players worldwide.