Paramount Goes Nuclear: Lawsuit and Proxy War Threatened in Battle for Warner Bros.
The entertainment industry is witnessing a corporate clash that rivals the drama of any blockbuster movie. On Monday, Paramount Global dramatically escalated its efforts to acquire Warner Bros. Discovery (WBD), launching a two-pronged attack that includes a lawsuit and a threat to overthrow the company’s board of directors. This aggressive move comes as a direct challenge to a pending agreement between WBD and streaming giant Netflix.
David Ellison, the CEO of Paramount, announced that the company has filed a lawsuit in the Delaware Court of Chancery. The legal action demands that WBD hand over internal valuation documents and records regarding their decision-making process. Ellison argues that WBD’s board has displayed a “lack of transparency” by favoring a lower bid from Netflix over a significantly higher all-cash offer from Paramount.
The numbers at the heart of this dispute are staggering. According to the filing, Paramount had offered to purchase WBD for $30 per share. However, the Warner Bros. Discovery board opted to proceed with a deal to sell its studio and HBO assets to Netflix for approximately $27.75 per share. The Netflix deal is reportedly a mix of cash ($23.25) and stock, which Paramount argues is inferior and riskier for shareholders than their own proposal.
Beyond the courtroom, Paramount is preparing for a boardroom coup. In a letter addressed to WBD shareholders, Ellison stated that if the board refuses to engage with their superior offer, Paramount is ready to initiate a proxy fight. This means they intend to nominate a slate of their own candidates for election to the WBD board at the 2026 annual shareholder meeting.
If successful, these new board members would likely fire current management and approve the sale to Paramount. The letter explicitly frames this proxy battle as a necessary step to protect shareholder value, accusing the current leadership of selling the company short to Netflix. Wall Street analysts had predicted litigation was inevitable, but the threat of a full-scale proxy war adds a new layer of volatility to the situation.
The conflict has also attracted political attention. Former President Donald Trump has weighed in, stating that he intends to personally review any major media mergers. This introduces a regulatory wildcard that could complicate the timeline for either the Netflix deal or a potential Paramount takeover. Meanwhile, Netflix has already begun talks with American and European regulators to secure approval for its acquisition, signaling they are moving full steam ahead despite Paramount’s interference.
Warner Bros. Discovery has defended its position, citing concerns about Paramount’s financing. The current WBD board argues that Paramount’s offer relies too heavily on debt, which they view as unstable given the current economic climate. Furthermore, WBD executives have pointed out that the Netflix deal leaves the company’s cable television assets separate, a structural difference they claim offers better long-term stability than Paramount’s total absorption plan.
This corporate warfare is the latest chapter in the rapid consolidation of Hollywood. David Ellison, the son of billionaire Larry Ellison, recently took the helm at Paramount after merging his production company, Skydance Media, with the legacy studio. Ellison is no stranger to high-stakes gambling in the film industry, having financed massive hits like Top Gun: Maverick and the Mission: Impossible franchise. His tenure has been marked by a desire to modernize the studio system and compete directly with tech-native giants.
On the other side of the table is Warner Bros. Discovery, a media titan that has struggled with debt but possesses some of the most valuable intellectual property in the world. The studio controls the DC Universe, the Harry Potter franchise, and the prestige television powerhouse HBO. Despite its financial hurdles, the studio remains a creative force. Just this week, its film One Battle After Another, starring Leonardo DiCaprio and directed by Paul Thomas Anderson, swept the Golden Globes, proving that the studio can still deliver critical and commercial gold.
The involvement of Netflix marks a historic shift in the “Streaming Wars.” For years, Netflix operated as a disruptor, building its own library from scratch. Attempting to purchase a legacy studio like Warner Bros. and HBO signifies a move to own the history of cinema itself, rather than just competing with it. If the deal goes through, Netflix would own the rights to Batman, Game of Thrones, and the vast Warner archive, fundamentally changing the landscape of streaming content.
The tension between Paramount and Warner Bros. is not entirely new. The two companies have been locked in a legal battle over the streaming rights to South Park for years. Warner Bros. originally sued Paramount, claiming they breached a $500 million exclusivity contract by moving special episodes to the Paramount+ service. That lingering bad blood has likely fueled the ferocity of this current takeover attempt, turning a business negotiation into something that feels deeply personal.
For the average moviegoer, the outcome of this boardroom brawl will determine where they watch their favorite shows and movies in the coming decade. If Paramount succeeds, it creates a traditional media super-giant capable of fighting Disney. If Netflix wins, it solidifies the streaming service as the undisputed king of Hollywood, absorbing one of its oldest competitors.
With the WBD annual meeting not expected until later in 2026, both sides are digging in for a protracted siege. Paramount is banking on shareholder outrage over the lower price to drive support for their board nominees, while WBD is racing to close the Netflix deal before Ellison can kick down the door.
We want to know where you stand on this massive shift in the entertainment landscape: would you prefer to see Warner Bros. and HBO owned by Netflix, or merged with Paramount?
Tell us which outcome you think is better for movie fans in the comments.
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