Italy’s Box Office Achieves Record July Thanks to ‘The Odyssey’ and ‘Spider-Man Brand New Day’
This summer, European moviegoing has taken a remarkable turn, with theaters in Italy reporting unprecedented attendance figures that would have seemed unimaginable just a few years ago. While much of the box office focus has been on North America, Italy has emerged as a surprising leader in summer ticket sales.
This trend has been gaining momentum for weeks, particularly following the release of Christopher Nolan’s epic film ‘The Odyssey,’ which quickly became one of the standout hits of the summer in international markets. Italian audiences have flocked to theaters in numbers that industry analysts did not anticipate.
The results are historic. Thanks to ‘The Odyssey’ and ‘Spider-Man: Brand New Day,’ Italy’s box office recorded its best July ever, with 7.7 million admissions, surpassing the previous modern-era record of 5.9 million set in 2011, according to reports from the Italian market.
This achievement is particularly significant given the shared talent in both films. Tom Holland, Zendaya, and Jon Bernthal all star in ‘The Odyssey,’ marking a unique moment where this trio has headlined two of the biggest cinematic events in Italy within a matter of weeks.
‘The Odyssey’ had already been performing exceptionally well before ‘Brand New Day’ hit theaters, crossing $300 million in domestic earnings in the United States during its second weekend, while its global total soared past $666.7 million and continued climbing toward the billion-dollar milestone.

‘Spider-Man: Brand New Day’ then made its debut, quickly rewriting its own record books. The film garnered $72 million during Thursday preview screenings in North America, officially breaking ‘Avengers: Endgame’s’ previous all-time preview record of $60 million, indicating the film’s potential for a dominant global rollout.
This kind of momentum typically influences international markets, and Italy’s record-breaking July appears to be a direct result of this trend. With both films screening concurrently in Italian theaters throughout the latter half of the month, audiences had two major reasons to keep returning week after week, a phenomenon not seen with such frequency in over a decade.
This marks a significant comeback for theatrical exhibition as a whole. Modern box office figures in many European markets have struggled to consistently meet pre-pandemic levels, making this record from 2011 particularly meaningful in terms of audience interest returning to previous heights.

For Holland, Zendaya, and Bernthal, this timing is particularly fitting. Having just concluded a run together in one historic release, the trio now finds themselves part of another film that is propelling an entire national box office into record territory, a rare achievement that highlights how significant this summer has been for theatrical moviegoing.
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