Robert Pattinson Addresses Chris Hansen’s Criticism of ‘Primetime’ at Venice Film Festival
Robert Pattinson has carved out an unpredictable career in Hollywood since his ‘Twilight’ days, choosing challenging, character-driven roles that defy traditional leading-man expectations. His latest film continues this trend, portraying a real-life media figure whose legacy remains controversial nearly two decades after his peak on television.
This figure is Chris Hansen, the former Dateline NBC correspondent known for hosting “To Catch a Predator,” a true-crime series that captivated audiences before facing backlash over its methods, leading to its conclusion in 2008. Pattinson’s film reinterprets that era through a dramatized lens, placing him in the role of a person who has openly expressed his opinions about the project.
Tensions escalated this weekend at the Venice Film Festival, where Pattinson responded directly to Hansen’s public criticism of ‘Primetime’ during a press conference. He expressed hope that Hansen would ultimately appreciate the film despite his reservations.
“I hope he likes the movie,” Pattinson stated, as reported by Deadline, prior to the film’s world premiere as a contender for the Golden Lion. He mentioned that he did not intend to create a film solely about Hansen, but found the character and the era he represents to be genuinely compelling.
Hansen’s skepticism about ‘Primetime’ has been apparent for weeks. He has publicly stated that he has not seen the film, citing his refusal to sign a non-disclosure agreement from studio A24, and has described Pattinson’s portrayal as “overly dramatic” based solely on the trailer. He has also questioned Hollywood’s motives for dramatizing his story.
In a late August appearance on a SiriusXM podcast, Hansen suggested he was considering legal options regarding the film, as it was made without his direct consultation. He mentioned discussions with an entertainment lawyer who indicated he might have a viable case, although he acknowledged the time and effort such a pursuit would entail.
Despite these objections, Pattinson used the Venice press conference to elaborate on what attracted him to the role. He described Hansen’s on-camera presence as magnetic, noting that after watching countless hours of original footage, there is a unique chemistry in how the show was directed and edited that still resonates today.
Directed by Lance Oppenheim in his narrative feature debut, ‘Primetime’ is set in the mid-2000s and loosely inspired by the 2007 Esquire article “Tonight on Dateline This Man Will Die,” examining the ethical boundaries Hansen’s show crossed at the intersection of journalism, law enforcement, and entertainment. The film also marks the acting debut of musician Phoebe Bridgers, who joined Pattinson and co-star Skyler Gisondo at the press conference.
Pattinson praised Bridgers’ performance, expressing surprise at how effortlessly she adapted to such a challenging role given her lack of prior acting experience. Bridgers described the filming process as intimidating, yet she appreciated the supportive atmosphere on set. The film’s premiere places it among the notable contenders for the Golden Lion at this year’s Venice Film Festival, which runs from September 2 through September 12.
Interestingly, despite his public criticism, Hansen has acknowledged that his family believes Pattinson’s portrayal is quite accurate, adding an unexpected layer of complexity to the otherwise tense relationship between the subject and the film. Whether this admission indicates any shift in his overall stance toward the movie remains uncertain.
For now, ‘Primetime’ arrives at Venice with both awards buzz and a very public dispute with its real-life inspiration, a combination likely to keep the film in the headlines long after its festival premiere.
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