Eric Kripke Won’t Showrun Future ‘The Boys’ Spinoff Series
Eric Kripke has confirmed that he will not be the day-to-day showrunner for upcoming spinoffs in the ‘The Boys’ universe. His remarks came during a recent interview where he discussed the expanding “Vought Cinematic Universe” and his desire for each new series to maintain a fresh and personal feel.
While Kripke will remain involved in an oversight capacity, he expressed his wish for other creators to take the lead on the new shows. He will continue to provide guidance and ensure quality control for the franchise, but he will not be the main showrunner managing daily production.
Kripke shared his enthusiasm for exploring new creative projects outside of the franchise. “I am excited to stretch my muscles on a couple other universes,” he stated.
Despite stepping back from daily leadership, Kripke clarified that he is not abandoning the universe. He will still play a role in shaping the overall direction of what is now referred to as the Vought Cinematic Universe, or VCU.
According to Kripke, his aim is to ensure that every show within this world possesses its own unique identity. He emphasized that he does not want the spinoffs to feel like mere repetitions or content created solely for expansion.
“I’m also gonna remain to oversee stuff that’s coming out through this VCU. Quality control, be an advisor,” he explained.
He also highlighted the importance of each series being developed by a creator who is genuinely invested in it. In his opinion, passion is what keeps the shows distinctive and prevents them from feeling like mass-produced entertainment.
“My whole thing is I don’t wanna be the day-to-day showrunner, because I made my passion project; I made ‘The Boys’,” Kripke said. “But ‘Vought Rising’ is Paul Grellong’s passion project.”
Kripke pointed to both upcoming and existing spinoffs as examples of how diverse each series is intended to be. He noted that ‘Gen V’ centers on young superheroes in college, while other projects like ‘The Boys Presents: Diabolical’ explore entirely different storytelling styles. A new prequel series, ‘Vought Rising’, is also in the works and will take the narrative back to the 1950s.
He explained that while all these shows share the same world and tone, they are not designed to feel identical.
“Each one needs to be idiosyncratic and weird and unique to itself and to be somebody’s passion,” he stated.
Kripke also discussed the broader concept behind the franchise. He noted that the world of ‘The Boys’ revolves around chaos and consequences, where powerful superheroes exist without being controlled in a tidy manner.

He explained that part of the story’s message is that there is no straightforward happy ending when individuals with power are left unchecked. Instead, issues continue to escalate, and new conflicts inevitably arise.
“It’s still a super-fun world,” he said. “Now you have all these loose Supes running around that Vought isn’t taking responsibility for anymore. And there’s problems to solve. There’s always gonna be problems to solve.”
Kripke added that the emotional core of the story remains focused on connection and survival, even amidst chaos.
“If you pull your loved ones tight and take care of each other, you can have a happy ending,” he concluded.
The universe of ‘The Boys’ has rapidly expanded in recent years, with several spinoffs either released or in development. Kripke’s new role indicates a shift toward a more collaborative creative structure, allowing different writers and producers to take charge of individual series.
Even with this transition, he remains a key figure in guiding the overall direction of the franchise as it continues to evolve.
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