Hugh Jackman’s ‘The Death of Robin Hood’ Receives Mixed Rotten Tomatoes Score

THE DEATH OF ROBIN HOOD 1
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The Death of Robin Hood is generating a mixed response ahead of its official release. Directed and written by Michael Sarnoski, the film features Hugh Jackman as an older version of the iconic outlaw Robin Hood, and it has already begun to divide critics following its initial screenings.

This film draws inspiration from the traditional ballad Robin Hood’s Death and presents a much darker, more grounded interpretation of the legendary character. In this narrative, Robin Hood is portrayed not as the heroic figure of classic tales, but as an aging outlaw grappling with the repercussions of his violent past while recovering from severe injuries. The story delves into his emotional and physical decline as he is taken in by a mysterious woman, played by Jodie Comer.

The cast also includes Bill Skarsgård as Little John, along with Murray Bartlett and Noah Jupe. Produced by Aaron Ryder, Andrew Swett, Alexander Black, and Hugh Jackman, the film is set to be distributed by A24. It will premiere at the 73rd Sydney Film Festival on June 12, followed by its U.S. theatrical release on June 19.

Initial critical reactions indicate a clear divide. Currently, the film holds a 64 percent score on Rotten Tomatoes based on 22 reviews. While some critics commend its ambition and performances, others have taken issue with its tone and pacing.

Screenshot 2026 06 12 at 10 28 30 The Death of Robin Hood Rotten Tomatoes

Critics who offered positive reviews have highlighted the film’s performances and artistic direction. Barry Hertz of the Globe and Mail praised Hugh Jackman’s performance, stating, “[Hugh Jackman] is a godsend in the title role.” He likened Jackman’s presence to other strong character-driven performances, suggesting that the actor brings emotional weight and stability to the film, even when the narrative feels uneven.

Mark Keizer of MovieWeb also provided a relatively positive review, remarking that the film attempts something bold with a well-known legend. He noted, “Even if it gives off major Unforgiven vibes and stops short of achieving the profundity it’s reaching for, Sarnoski makes a risky bet on some dusty, public-domain IP, and it mostly pays off.” His comments imply that while the film may not fully achieve its ambitions, it is still an intriguing attempt at a darker reimagining of Robin Hood.

Dan Mecca of The Film Stage also leaned positive, emphasizing the film’s themes. He wrote, “Sarnoski is concerned with the act of storytelling, and how each story evolves (or devolves) over time. It’s a fitting focus for a myth such as Robin Hood.” This review underscores the film’s exploration of how legends transform across generations.

However, not all critics were impressed. Some reviews describe the film as slow, heavy, and emotionally distant. Kristy Puchko of Mashable offered a negative review, labeling it “an unpleasant and cynical slog, despite a promising cast.” This reflects a broader criticism that the film’s tone may be too dark or detached for audiences expecting a more engaging narrative.

Marshall Shaffer of The Playlist also provided a negative response, noting that while the film has technical strengths, it lacks emotional connection. He stated, “It’s easy enough to admire the evident technical merits, yes, but difficult to find any element that invites a viewer into the specific, soulful experience of the characters.” His review suggests that the film may be visually impressive but emotionally lacking.

Frank Scheck of The Hollywood Reporter also criticized the film, describing it as overly long and challenging to engage with. He remarked that it becomes “a tedious slog,” suggesting that the pacing diminishes the impact of its story.

Tim Grierson of Screen International echoed similar concerns, stating, “Pushing too hard to give The Death Of Robin Hood a sense of gravitas, Sarnoski suffocates his story rather than letting its palpable agony envelop the viewer.” His review indicates that the film’s seriousness may hinder rather than enhance its storytelling.

Overall, critics are divided on The Death of Robin Hood. Some view it as a bold and artistic reinterpretation of a classic legend, driven by strong performances from Hugh Jackman and the supporting cast. Others feel it struggles under its own weight, with slow pacing and an emotional distance that makes it difficult to fully connect. As its release approaches, audience reactions may ultimately shape its legacy as either a powerful reinvention or a missed opportunity.

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